A Glimpse into 600 Years of History... Exhibition "Donggwol, The Time of Changgyeonggung"
Materials Documenting Damage and Restoration During the "Changgyeongwon" Era on Display
The Royal Palaces and Tombs Center of the National Heritage Administration and the National Heritage Promotion Agency will open a permanent exhibition titled "Donggwol, The Time of Changgyeonggung" on September 30 at Jipbokheon Hall in Changgyeonggung Palace, Jongno-gu, Seoul. The exhibition offers a comprehensive look at the 600-year history of Changgyeonggung, royal life, and the periods of damage and restoration during the Japanese colonial era. It showcases various aspects of the palace, including the king's workspace, the living quarters of royal women and the crown prince, and sites of state ceremonies, through materials and videos. Materials documenting the damage and restoration during the "Changgyeongwon" period also illustrate the palace's tumultuous history.
Changgyeonggung Palace traces its origins to Suganggung, built by King Sejong in 1418 for King Taejong. In the 14th year of King Seongjong's reign (1483), it was expanded and renamed Changgyeonggung, and together with Changdeokgung, it became known as "Donggwol" (the Eastern Palaces). Although it was a core space for the Joseon royal family, it was downgraded to "Changgyeongwon" when a zoo and botanical garden were established during the Japanese colonial period. After Korea's liberation, the palace underwent restoration to regain its original appearance.
The exhibition and hands-on programs are free to attend without prior reservation. However, a separate admission fee for Changgyeonggung Palace (3,000 won for adults) applies. The operating hours are from 10:00 a.m. to 5:00 p.m.
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Meanwhile, in conjunction with the exhibition, the Royal Palaces and Tombs Center will offer special access to Yeongchunheon Hall, which is not usually open to the public. Visitors can experience scenes from the royal banquet depicted in the "Musinjinchan Uigwe" of the 14th year of King Heonjong's reign (1848) through augmented reality (AR) technology.
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